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“We have been overtaken by reality”

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Among the good surprises of the year in terms of series, “Peripherals, the worlds of Flynne” is perhaps the most impressive visually and script-wise. It is true that for its first season, this new production of Prime Video was placed under the best auspices by adapting the romantic work of one of the last popes of science fiction, William Gibson, with, to draw the strings, one of Hollywood’s most creative couples, Lisa Joy and Jonathan Nolan, the architects of the defunct “Westworld” series.

In a nutshell, this is an ambitious story recounting the adventures of Flynne, a young woman, in a dangerous virtual world which she realizes very quickly that, far from being a simulation, this one immerses her in her own future in London in 2099. Actress Chloë Grace Moretz finds her best role there, transitioning seamlessly from her character as a resourceful American in the deep south of the United States to that of a sophisticated agent evolving in a future as beautiful as devoid of humanity.

At a time when series are finding it increasingly difficult to maintain themselves over the long term in the face of competition and reduced costs, the identity of its showrunner – the conductor responsible for setting the scenario to music – is all the more crucial. That’s why we wanted to speak with Scott B. Smith, writer and screenwriter who had success in the 1990s with “A Simple Plan”. adapted by Sam Raimi, and whose

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